Brain in overdrive
Last week a lot of my Friends and colleagues attended the IATEFL conference in Belfast. Judging by the photos they had a great time, socialising after a couple of years of not getting out and at the many and varied presentations. I decided not to attend this year, but I enjoyed watching the plenaries online and reading people’s posts and summaries. I always come away from a good conference with a head bursting with ideas, my brain in overdrive and a restlessness to do new things or find out more. This is one of the things I missed this year, and it got me to thinking about how we can replicate this sensation, at least in part, especially, for this blog, when it comes to the work we do as materials writers.
Join up the dots
I think what is key is that when we read things, watch things or listen to things, we need to make connections, join up the dots and reflect on how something relates to, or impacts on, our work. Making connections is everything really. It’s what creativity is all about and it’s how we grow and develop.
A (very) simple framework
In this blog post I decided to look at one thing I read this week and to make connections between what I read and my professional life. I came up with a (very) simple framework for this, just to keep me focused and stop me from meandering all over the place – something I have a tendency to do. The exercise has proved useful and given me food for thought, so I’ll definitely do it again and I might build it into a workshop myself one of these days.
- Read something
- Underline some interesting bits
- Think about those bits in the context of the author
- Think about those bits in a more general context
- Think about how those bits relate to my own work
- Make some notes about them in a place where I will re-read them
I had my copy of ‘The Art of noticing’ [See here] by Rob Walker out on my table this week, because I’d lent it to a friend who had returned it and I hadn’t yet replaced it on my bookshelf. It’s a great book to dip into. It’s the kind of book I like to have in print because I want to write in the margins and highlight sections. [Note to self: write a blog post about this habit] I’ve just flicked through and found three bits I’ve highlighted as being relevant to my own work as an ELT writer. I think this would work with any book. That’s something I’ll need to put to the test. In the meantime here’s a bit more about my three highlighted bits:
1. The Short, Collective, Biography Experiment
The author mentions an idea that he read in a book by Amy Krouse Rosenthal, a children’s author [see more here]. She called the idea ‘’The Short, Collective, Biography Experiment” and in her version it consists of a fun activity to do during a dinner party. Throughout the meal guests are asked to find thirty things that they all have in common, or, as she says more eloquently, “Through conversation endeavour to find a collection of autobiographical statements that are equally true for each and every member of the group.” When I thought about this idea, I realised that this is the kind of thing we do naturally anyway, when we are thrown together in random groups, as often happens at a face-to-face conference. But it’s also something that we could write up as a simple lesson plan, adjusting accordingly. By getting learners to actively seek out and find similarities, we can, at the same time, learn about each other and celebrate differences. If I made materials based on this idea, I’d probably include a section in which learners note things of interest that they’d like to know more about, about the other members in their group.
2. Change your route
The author mentions an idea he got from Jim Coudal, who works in creative design and is famous, amongst other things, for the Field Notes notebooks. Coudal suggests that by changing the route you normally take every day to get from A to B, you will notice new things which will trigger creative ideas. He also points out that the idea is appropriate in a metaphorical sense too and says, “Maybe you know what works – and that’s exactly why you should try something different.” I’ve given this some thought and while I like it, and I think it makes sense, it’s a bit scary too in a way. It goes against the ‘why change it if it isn’t broken?’ idea. But I’ve made a note to myself to try it out in some way, professionally. I thought I’d give it a go the next time I’m creating a presentation. The steps I usually follow to make slides and come up with a narrative usually work, but I do think I could do things differently. I’m usually in a hurry so just do what I’m used to doing, rather than consider new ways. So I’ve decided to do a bit of research first and then, when I have some spare time, have a go creating a presentation a different way. It’s occurred to me that I am very interested in the process of creating presentations, making nice slides, etc. so I suspect the exercise will be enjoyable, and hopefully I’ll get better at that side of my work.
3. Make an appointment with yourself
In another section of the book the author refers to something the film maker Mike Birbiglia had done he realized that as his schedule became fuller and fuller, he was neglecting himself more and more. Birbiglia wrote a note to himself and left it by the side of his bed. It said, “Mike you have an appointment at Café Pedlar at 7:00 AM … with your mind”. Blocking out time is nothing new and these days we come across it a lot in books or podcasts about productivity. Rachael Roberts [website here] talks about it a lot in her work and she’s one of the most productive and grounded people I know. She also believes that besides blocking out time for work-related activities, it’s also a good idea to block out time for self-care, for thinking, for reflecting on things, or just for sitting and doing nothing more than enjoying the here and now. I tend to time block when I am very busy. But I’m going to have a go at blocking out an hour or so here and there in the week ahead for meetings with myself. And how is this related to my work? Well, if I am not as healthy in my mind and body as I can be, it’s unlikely that I’ll be able to do my absolute best.
So that’s it.
A few things to try out.
I’ve enjoyed writing this and think I might do more in the same vein. I’d love to hear about any ‘connections’ you’ve made recently that will have an impact on your work.
Thank you for reading.